*

*

  • Joined: October 3, 2026
  • Articles: 321

Desuniversalizar el mundo

Seminario PEI Obert dirigido por Lucía Egaña

Los legados del colonialismo siguen afectando en múltiples aspectos a la sociedad contemporánea. Como una consecuencia colonial, la palabra sigue siendo hoy una propiedad privatizada por la blanquitud. La palabra y la razón se han regido por las epistemologías occidentales de personas blancas, y en ese sentido los discursos y prácticas están marcados de una forma violenta por su racismo universalizante. Por este motivo son necesarios espacios de disidencia y de resistencia en los que la palabra y la voz pertenezcan a personas no blancas y a epistemologías consideradas “otras” que, aun siendo ancestrales, han sido sistemáticamente silenciadas por la violencia colonial.

EMAF Talks: The trans*reformulation of language in experimental political videos

Conference by Marina Gržinić & Tjaša Kancler
Wild Grammar - European Media Art Festival 2019, Osnabrück, Germany.

In this lecture Gržinić and Kancler reflect how a selected number of video works through trans* discursivity reformulate the film language of short and experimental video films in order to open a new politics in the field. Our analysis draws on trans*body, trash imagery, the relation of language and law, marginalizing social structures, and rebel unruly positions that through performative declarations of language and structure of their videos repoliticize the experimental video practice of the 21st century. By embracing trans* discourses, histories of subversive films from the South and former Eastern Europe, the lecture explores modes to create wild meanings.

LEZBOMANIJA

6. 4. 2019 – 12.00
Vodja oddaje: Urška Sterle

Aktualno-politične oznake lgbtiq+
Avtorji del: Tatjana Greif, Marina Gržinič, Tjaša Kancler
Institucije: ŠKUC LL

Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality

“Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality” is the title of an interdisciplinary, arts and theory based research project. It is funded by the Austrian Science Fund (FWF) through its Programme for Arts-based Research (PEEK). The project is led by Marina Gržinić and developed at the Studio of Conceptual Art (Post-Conceptual Art Practices), Institute for Fine Arts, Academy of Fine Arts Vienna.

The aim of “Genealogy of Amnesia: Rethinking the Past for a New Future of Conviviality” is to understand how processes of empowerment are built against the politics of collective forgetting and silence. The research is focussed on political, social, ideological, and cultural mechanisms that produce collective amnesia — such as antisemitism, racialization, political and economic dispossession, gender discrimination, or hegemonic nationalism.[...]

Revista Desde el margen #3 – Políticas migratorias y fronteras múltiples: análisis, críticas y luchas

Revista activista para la divulgación de las voces/los haceres/las experiencias subalternas
N3 – Políticas migratorias y fronteras múltiples: análisis, críticas y luchas, publicado en diciembre 2018.

En este número nos preguntamos sobre las políticas migratorias como parte de los dispositivos de la colonialidad, las fronteras múltiples, los efectos que el racismo institucional y cotidiano está generando en millones de personas racializadas, desplazadas y migradas. ¿De qué manera se observa la confluencia capitalista, racista y heteropatriarcal a la hora de repensar las políticas migratorias, las fronteras y los mecanismos de segregación? ¿Qué intervenciones críticas se están produciendo para contestar los métodos, las teorías, los discursos y los límites de Estudios migratorios desde los giros de la geografía de la razón?

Arte – Política – Resistencia

Tjaša Kancler
1a ed. – Barcelona: Ediciones t.i.c.t.a.c., 2018

Repensar las relaciones entre la antigua Europa del Este y el Occidente, los años tras la caída del Muro de Berlín en los que la política ha adoptado las formas más extremas de dominación de la subjetividad mediante técnicas biomoleculares y semióticas, las medidas de austeridad y de exclusión, la guerra y la muerte, implica abrir espacios de pensamiento más allá de convenciones académicas y reflexionar sobre la cada vez mayor importancia del arte y la cultura para la economía desregulada y la dinámica de despolitización que se produce y reproduce continuamente, no solo económica y políticamente, sino también institucionalmente.[...]

24th MFRU Trust 3: The International trust + Women’s forum

12.–19. October 2018, Maribor, Slovenia

Over three years of "Trust", MFRU functioned as an autonomous zone—a space for exchange, collaboration, and reflection. The festival editions explored its evolving relationship with the city, the national context, and the international community. Each edition built new bridges: first by engaging local spaces and citizens, then by connecting national institutions and artists, and finally by focusing exclusively on international women artists.

GENEALOGY OF AMNESIA – Crushing Silences, Constructing Histories

8., 9., and 10. November 2018

SYMPOSIUM GENEALOGY OF AMNESIA
Crushing Silences, Constructing Histories

MUMOK. Museum of Modern Art Foundation Ludwig Vienna
ADDRESS: Mumok, Museumsplatz 1, 1070 Vienna

A symposium on the silencing of colonialism, anti-Semitism, and contemporary turbo-fascist nationalism in Belgium, Austria, and the former Yugoslavia. Re-examining counter-memory and counter-history projects, interventions, and processes of resistance in order to open up spaces for new directions in politics, futurity, and collective struggles. Organized by the FWF-project “Genealogy of Amnesia,” developed at the Studio of Conceptual Art (PCAP), Institute of Fine Arts, Academy of Fine Arts Vienna.

Suspicious, implicated agencies: gender mutants, decolonial transfeminist, militant filmmakers, radical theoreticians, migrant sex workers

12.10.2018, Maribor

SCREENING PROGRAM curated by Marina Gržinić and Tjaša Kancler

This program focuses on gender multiple borders and sex as politics. The program puts under question the regime of Whiteness, EU politics of segregation and expulsion, hidden histories. It as well talks about work: to be an artist, theoretician and sex worker. How much resistance against exploitation, racism, dispossession, and misery these positions can produce? What are the forms of these resistances? A militant theater, performance, documentary, a burlesque or an intervention on the street, in the classroom?