Izšel je katalog razstave Vedno na voljo. Feministične pozicije v vizualni umetnosti iz Slovenije, ki sta jo v Moderni galeriji (MG+) pripravila kustosinja Martina Vovk in kustos asistent Kristjan Sedej. Razstava je združila dela preko 50 umetnic in umetnikov, posvečena pa je bila umetniški produkciji, ki obravnava družbeni spol in nanj vezane diskriminacije, pri čemer je poudarjala tudi presečnost, torej prepletenost identitet in (osebnih) okoliščin, kot so razred, rasa, nacionalnost. Vsem delom s feministično pozicijo je skupna namera, da bi s svojimi vznemirljivimi vizualnimi, materialnimi, prostorskimi, performativnimi in procesualnimi oblikami dosegla učinek, ki bi prispeval k trajni družbenopolitični spremembi. Feminizem in kapitalizem se namreč temeljno izključujeta.
Katalog razstave združuje sedem poglobljenih prispevkov o krovni tematiki razstave in praksah razstavljajočih umetnic_kov. V uvodu publikacije, ki ga je podpisala Martina Vovk, izvemo, da je zasnovo razstave, med drugim, narekoval tudi čas, v katerem je kot posledica večjih svetovnih in domačih gibanj in kampanj, na primer #MeToo in #jaztudi# ter Samo ja pomeni ja, ob sočasni koroziji že pridobljenih pravic žensk, »senzibilnost za diskriminacijo žensk znova našla pot v ospredje širše družbene pozornosti«.
Če Vovk razpravlja o večini dejavnikov in kategorij presečnosti, se Kristjan Sedej v naslednjem besedilu posveti zlasti vprašanju izjavljanja in diskurzivnosti identitet v delih mlajše generacije umetnic_kov, ki so se predstavili na pretekli razstavi. A generacijski poudarek se v zadnjem prispevku kataloga, ki ga je Sedej pripravil v soavtorstvu s Hano Samec Sekereš, razširi na nelagodno vprašanje prisotnosti žensk v vizualni umetnosti v Sloveniji vobče.
Nelagodje zaznamuje tudi besedilo Svetlane Slapšak, ki z »neumetniške strani« v svojem značilnem ironičnem slogu razpravlja o implikacijah naslova razstave in pomenu del razstavljajočih umetnic_kov. Njen razmislek uvede fiktiven, a patriarhatu življenjsko nujen problem – »problem žensk za volanom«, »problem«, zaradi katerega na cestah preživi več ljudi. Po nekaj ovinkih se bralci naposled znajdemo v besedilu pisateljice in aktivistke Suzane Tratnik, ki nas odpelje v razvoj lezbične umetnosti pri nas. Z njo, zapiše avtorica, se ni seznanila »ne v srednji šoli, ne na fakulteti, ne v galerijah tedanjega časa, ne v dostopnih knjigah, ampak na avtoštopu«.
Svoje mesto v katalogu sta dobila tudi dva pomembna festivala: Mesto žensk, ki ga organizira in producira istoimensko društvo za promocijo žensk v kulturi, ter mednarodni feministični in kvirovski festival Rdeče zore. Prispevek o prvem je podpisala ustanoviteljica društva Mesto žensk Lilijana Stepančič, o grafični podobi festivala Rdeče zore pa razpravlja Ana Grobler.
Do 22. marca ob nakupu kataloga prejmete tudi gratis vstopnici tako za Moderno galerijo (MG+) kot Muzej sodobne umetnosti Metelkova (+MSUM)
Urednika kataloga: Martina Vovk in Kristjan Sedej
Besedila: Martina Vovk, Kristjan Sedej, Svetlana Slapšak, Suzana Tratnik, Lilijana Stepančič, Ana Grobler, Igor Španjol; avtorice
Slovenska lektura: Tinka Kos, Tamara Soban
Angleška lektura: Tamara Soban, Paul Steed
Fotografije postavitve razstave: Dejan Habicht, Urša Rahne; Moderna galerija, Ljubljana
Oblikovanje: Alja Herlah
Oblikovanje fotografij: Alja Herlah, Oskar Slabe
Leto: 2024
Izdala: Moderna galerija, Ljubljana
ISBN: 978-961-206-163-0
Vezava: mehka
Število strani: 398
[EN]
The catalog for the exhibition For Your Pleasure. Feminist Positions in Visual Art in and from Slovenia has been published. The exhibition, which took place last year at the Moderna galerija (MG+), was curated by Martina Vovk and assistant curator Kristjan Sedej. The exhibition brought together works by over 50 artists, focusing on artistic production that addresses gender and gender related discrimination. It also emphasized intersectionality— the interconnectedness of identities and personal circumstances such as class, race, and nationality. All works with a feminist position share the intention to create a lasting socio-political change through their exciting visual, material, spatial, performative, and process-based forms. Feminism and capitalism are fundamentally incompatible.
The exhibition catalog includes seven in-depth contributions on the overarching themes of the exhibition and the practices of the exhibiting artists. In the introduction to the publication, written by Martina Vovk, we learn that the concept of the exhibition was, among other things, shaped by the time in which, as a result of major global and local movements and campaigns such as #MeToo, #jaztudi# (MeToo in Slovenia), and Samo ja pomeni ja (Only Yes Means Yes), and the simultaneous corrosion of already acquired women’s rights, “sensitivity to the discrimination of women has once again found its way to the forefront of broader societal attention.”
While Vovk discusses most of the factors and categories of intersectionality, Kristjan Sedej, in the following text, focuses particularly on the issue of identity declaration and discursiveness in the works of the younger generation of artists who participated in the exhibition. However, the generational focus is expanded in the final contribution to the catalog, co-authored by Sedej and Hana Samec Sekereš, which addresses the uncomfortable issue of the presence of women in visual arts in Slovenia in general.
This discomfort is also evident in Svetlana Slapšak‘s text, which, from a “non-artistic” perspective, humorously addresses the implications of the exhibition title and the significance of the works of the exhibiting artists. Her reflection introduces a fictional yet patriarchally vital problem — “the problem of women driving” — a “problem” that results in more deaths on the road. After a few twists, the readers find themselves in the text of writer and activist Suzana Tratnik, who leads us into the development of lesbian art in Slovenia. As the author writes, she did not encounter this art “in high school, in college, in the galleries of the time, or in available books, but on a hitchhike.”
Two important festivals are also featured in the catalog: Mesto žensk (City of Women), organized and produced by the eponymous association for the promotion of women in culture, and the international feminist and queer festival Rdeče zore (Red Dawn). The contribution on the first festival is authored by the founder of the City of Women association, Lilijana Stepančič, while Ana Grobler discusses the graphic design of the Red Dawn festival.
By March 22, with the purchase of a catalog, you will also receive free tickets for both the Museum of Modern Art (MG+) and the Museum of Contemporary Art Metelkova (+MSUM).
Editors of the catalog: Martina Vovk and Kristjan Sedej
Texts: Martina Vovk, Kristjan Sedej, Svetlana Slapšak, Suzana Tratnik, Lilijana Stepančič, Ana Grobler, Igor Španjol; authors
Slovene proofreading: Tinka Kos, Tamara Soban
English proofreading: Tamara Soban, Paul Steed
Exhibition photos: Dejan Habicht, Urša Rahne; Moderna galerija, Ljubljana
Design: Alja Herlah
Photograph design: Alja Herlah, Oskar Slabe
Year: 2024
Published by: Moderna galerija, Ljubljana
ISBN: 978-961-206-163-0
Binding: Softcover
Page count: 398
https://www.mg-lj.si/en/events/4106/exhibition-catalog-for-your-pleasure
