{"id":746,"date":"2013-06-11T19:13:01","date_gmt":"2013-06-11T19:13:01","guid":{"rendered":"http:\/\/www.damne.net\/?page_id=746"},"modified":"2013-06-11T19:13:01","modified_gmt":"2013-06-11T19:13:01","slug":"archive","status":"publish","type":"page","link":"https:\/\/damne.net\/Test\/archive\/","title":{"rendered":"Archive"},"content":{"rendered":"<p><strong>books<\/strong><\/p>\n<p>Lezbi\u010dna sekcija LL: Kronologija 1987-2012 s predzgodovino, Nata\u0161a Velikonja, Tatjana Greif <a href=\"https:\/\/damne.net\/Test\/?p=421\">&gt;&gt;<\/a><br \/>\nFeminismos negros. Una antolog\u00eda, Mercedes Jabardo (ed.) <a href=\"https:\/\/damne.net\/Test\/?p=417\">&gt;&gt;<\/a><br \/>\nBlack Queer Studies: A Critical Anthology, E. Patrick Johnson, Mae G. Henderson (eds) <a href=\"https:\/\/damne.net\/Test\/?p=415\">&gt;&gt;<\/a><br \/>\nDecolonial Aesthetics <a href=\"https:\/\/damne.net\/Test\/?p=454\">&gt;&gt;<\/a><\/p>\n<p>Fabbriche del sapere, industrie della creativit\u00e0, Gerald Raunig <a href=\"https:\/\/damne.net\/Test\/?p=226\">&gt;&gt;<\/a><br \/>\nProducci\u00f3n cultural y pr\u00e1cticas instituyentes, transform <a href=\"https:\/\/damne.net\/Test\/?p=552\">&gt;&gt;<\/a><br \/>\nLos nuevos productivismos <a href=\"https:\/\/damne.net\/Test\/?p=539\">&gt;&gt;<\/a><br \/>\nArt and Contemporary Critical Practice: Reinventing Institutional Critique, Gerald Raunig, Gene Ray (eds) <a href=\"https:\/\/damne.net\/Test\/?p=519\">&gt;&gt;<\/a><br \/>\nCritique of Creativity: Precarity, Subjectivity and Resistance in the \u2018Creative Industries\u2019, Gerald Raunig, Gene Ray, Ulf Wuggenig (eds) <a href=\"https:\/\/damne.net\/Test\/?p=484\">&gt;&gt;<\/a><br \/>\nMy Creativity Reader: A Critique of Creative Industries, Geert Lovnik, Ned Rossiter (eds) <a href=\"https:\/\/damne.net\/Test\/?p=498\">&gt;&gt;<\/a><br \/>\nDark Matter: Art and Politics in the Age of Enterprise Culture, Gregory Sholette <a href=\"https:\/\/damne.net\/Test\/?p=494\">&gt;&gt;<\/a><br \/>\nEmprendizajes en cultura, Jaron Rowan <a href=\"https:\/\/damne.net\/Test\/?p=487\">&gt;&gt;<\/a><br \/>\nEn el acuario de facebook, Ippolita <a href=\"https:\/\/damne.net\/Test\/?p=477\">&gt;&gt;<\/a><br \/>\nEl kit de la lucha en Internet, Margarita Padilla <a href=\"https:\/\/damne.net\/Test\/?p=474\">&gt;&gt;<\/a><br \/>\nPor una cultura libre <a href=\"https:\/\/damne.net\/Test\/?p=561\">&gt;&gt;<\/a><br \/>\nEl c\u00f3digo 2.0 <a href=\"https:\/\/damne.net\/Test\/?p=536\">&gt;&gt;<\/a><br \/>\nSoftware libre para una sociedad libre <a href=\"https:\/\/damne.net\/Test\/?p=522\">&gt;&gt;<\/a><\/p>\n<p>Critical Theory: Selected Essays, Max Horkheimer <a href=\"https:\/\/damne.net\/Test\/?p=573\">&gt;&gt;<\/a><br \/>\nThe Culture Industry: Selected Essays on Mass Culture, Theodor W.Adorno <a href=\"https:\/\/damne.net\/Test\/?p=558\">&gt;&gt;<\/a><br \/>\nThe Dialectical Imagination, A History of the Frankfurt School and the Institute of Social Research, 1923-1950, Martin Jay <a href=\"https:\/\/damne.net\/Test\/?p=549\">&gt;&gt;<\/a><br \/>\nOne-Dimensional Man, Herbert Marcuse <a href=\"https:\/\/damne.net\/Test\/?p=542\">&gt;&gt;<\/a><br \/>\nAesthetics and Politics <a href=\"https:\/\/damne.net\/Test\/?p=545\">&gt;&gt;<\/a><\/p>\n<p><strong>journals<\/strong><br \/>\nJohannesburg Workshop in Theory and Criticism, Achille Mbembe <a href=\"https:\/\/damne.net\/Test\/?p=652\">&gt;&gt;<\/a><br \/>\nPressentiment #19 <a href=\"https:\/\/damne.net\/Test\/?p=630\">&gt;&gt;<\/a><br \/>\nRevija Narobe, st.24 <a href=\"https:\/\/damne.net\/Test\/?p=120\">&gt;&gt;<\/a><br \/>\nJournal De-artikulacija (part I) <a href=\"https:\/\/damne.net\/Test\/?p=149\">&gt;&gt;<\/a><br \/>\nJournal De-artikulacija (part II) <a href=\"https:\/\/damne.net\/Test\/?p=158\">&gt;&gt;<\/a><br \/>\nReartikulacija #7 <a href=\"https:\/\/damne.net\/Test\/?p=607\">&gt;&gt;<\/a><br \/>\n#18: Critique and Truth <a href=\"https:\/\/damne.net\/Test\/?p=490\">&gt;&gt;<\/a><br \/>\n#01- 25: What is the use of art? <a href=\"https:\/\/damne.net\/Test\/?p=516\">&gt;&gt;<\/a><\/p>\n<p><strong>articles<\/strong><\/p>\n<p>The Emergence of the Political Subject, Marina Gr\u017eini\u0107 <a href=\"https:\/\/damne.net\/Test\/?p=677\">&gt;&gt;<\/a><br \/>\nA Refugee Protest Camp in Vienna And the European Union\u2019s Processes of Racialization, Seclusion, and Discrimination, Marina Gr\u017eini\u0107 <a href=\"https:\/\/damne.net\/Test\/?p=400\">&gt;&gt;<\/a><br \/>\n\u010cakajo\u010d na 4. vseslovensko vstajo, Marina Gr\u017eini\u0107 <a href=\"https:\/\/damne.net\/Test\/?p=210\">&gt;&gt;<br \/>\n<\/a><br \/>\nBeyond the Myth of Woman: The Becoming-Transfeminist of (Post-)Marxism, Antonella Corsani <a href=\"https:\/\/damne.net\/Test\/?p=433\">&gt;&gt;<\/a><br \/>\nFeminism And the Politics of the Commons, Silvia Federici <a href=\"https:\/\/damne.net\/Test\/?p=448\">&gt;&gt;<\/a><br \/>\nBodies in Alliance and the Politics of the Street, Judith Butler <a href=\"https:\/\/damne.net\/Test\/?p=409\">&gt;&gt;<\/a><br \/>\nCambiar el imaginario de los cuerpos, Valentina Natale <a href=\"https:\/\/damne.net\/Test\/?p=451\">&gt;&gt;<\/a><\/p>\n<p>\u00bfQu\u00e9 es la critica? Un ensayo sobre la virtud de Foucault, Judith Butler <a href=\"https:\/\/damne.net\/Test\/?p=571\">&gt;&gt;<\/a><br \/>\n\u00bfQu\u00e9 es la cr\u00edtica? Suspensi\u00f3n y recomposici\u00f3n en las m\u00e1quinas textuales y sociales, Gerald Raunig <a href=\"https:\/\/damne.net\/Test\/?p=569\">&gt;&gt;<\/a><br \/>\nWhat is Critique?, Michel Foucault <a href=\"https:\/\/damne.net\/Test\/?p=566\">&gt;&gt;<\/a><br \/>\nCr\u00edtica como intervenci\u00f3n contrahegem\u00f3nica, Chantal Mouffe <a href=\"https:\/\/damne.net\/Test\/?p=564\">&gt;&gt;<\/a><br \/>\nCr\u00edtica sin crisis, crisis sin cr\u00edtica, Boris Buden <a href=\"https:\/\/damne.net\/Test\/?p=534\">&gt;&gt;<\/a><br \/>\nEncarnar la cr\u00edtica Algunas tesis. Algunos ejemplos, Marina Garc\u00e9s <a href=\"https:\/\/damne.net\/Test\/?p=532\">&gt;&gt;<\/a><br \/>\nGubernamentalidad y precarizaci\u00f3n de s\u00ed Sobre la normalizaci\u00f3n de los productores y las productoras culturales, Isabel Lorey <a href=\"https:\/\/damne.net\/Test\/?p=510\">&gt;&gt;<\/a><br \/>\nCritique and Category On the restriction of political practice through recent theorems of intersectionality, interdependence and critical whiteness studies, Isabel Lorey <a href=\"https:\/\/damne.net\/Test\/?p=512\">&gt;&gt;<\/a><br \/>\nTake the Money and Run? Can Political and Socio-critical Art \u201cSurvive\u201d?, Martha Rosler <a href=\"https:\/\/damne.net\/Test\/?p=555\">&gt;&gt;<\/a><br \/>\nAbstraction, evacuation of resistance and sensualisation of emptiness, Marina Gr\u017eini\u0107 <a href=\"https:\/\/damne.net\/Test\/?p=508\">&gt;&gt;<\/a><br \/>\nLa instituci\u00f3n de la cr\u00edtica, Hito Steyerl <a href=\"https:\/\/damne.net\/Test\/?p=514\">&gt;&gt;<\/a><br \/>\nGeopol\u00edtica del chuleo, Suley Rolnik <a href=\"https:\/\/damne.net\/Test\/?p=506\">&gt;&gt;<\/a><br \/>\nLa memoria del cuerpo contamina el museo, Suley Rolnik <a href=\"https:\/\/damne.net\/Test\/?p=504\">&gt;&gt;<\/a><br \/>\nA\u00f1adir valor a los contenidos: la valorizaci\u00f3n de la cultura hoy, Esther Leslie <a href=\"https:\/\/damne.net\/Test\/?p=502\">&gt;&gt;<\/a><\/p>\n<p>Ideolog\u00eda y Aparatos Ideol\u00f3gicos de Estado, Luis Althusser <a href=\"https:\/\/damne.net\/Test\/?p=576\">&gt;&gt;<\/a><br \/>\nThe Culture Industry: Enlightenment as Mass Deception, Theodor Adorno, Max Horkheimer <a href=\"https:\/\/damne.net\/Test\/?p=578\">&gt;&gt;<\/a><br \/>\nAdorno on film and mass culture The culture industry reconsidered, Thomas Andrae <a href=\"https:\/\/damne.net\/Test\/?p=500\">&gt;&gt;<\/a><br \/>\nLa industria creativa como enga\u00f1o de masas, Gerald Raunig <a href=\"https:\/\/damne.net\/Test\/?p=525\">&gt;&gt;<\/a><br \/>\nNeoliberalismo y cultura en Catalunya, Jorge L.Marzo <a href=\"https:\/\/damne.net\/Test\/?p=529\">&gt;&gt;<\/a><br \/>\nDeclaration of the Barcelona 15M Camp Culture Comission &gt;&gt;<\/p>\n<p>El \u00abclub activista\u00bb o sobre los conceptos de casa de cultura, centro social y museo, Dmitry Vilensky <a href=\"https:\/\/damne.net\/Test\/?p=736\">&gt;&gt;<\/a><br \/>\nLa verdad deshecha. Productivismo y factograf\u00eda, Hito Steyerl <a href=\"https:\/\/damne.net\/Test\/?p=732\">&gt;&gt;<\/a><br \/>\nTretiakov en Argentina Factograf\u00eda y operatividad en la vanguardia de los a\u00f1os sesenta, Jaime Vindel <a href=\"https:\/\/damne.net\/Test\/?p=730\">&gt;&gt;<\/a><br \/>\nTransformar el aparato de producci\u00f3n. La concepci\u00f3n de una intelectualidad antiuniversalista en la temprana Uni\u00f3n Sovi\u00e9tica, Gerald Raunig <a href=\"https:\/\/damne.net\/Test\/?p=727\">&gt;&gt;<\/a><br \/>\nBrecht\u2019s Marxist Aesthetic, Douglas Kellner <a href=\"https:\/\/damne.net\/Test\/?p=738\">&gt;&gt;<\/a><\/p>\n<p>Politizaciones en el ciberespacio, Margarita Padilla <a href=\"https:\/\/damne.net\/Test\/?p=136\">&gt;&gt;<\/a><br \/>\nEl Gobierno de Nadie (una pesadilla, Amador Savater <a href=\"https:\/\/damne.net\/Test\/?p=592\">&gt;&gt;<\/a><br \/>\nPaolo Virno txts <a href=\"https:\/\/damne.net\/Test\/?p=597\">&gt;&gt;<\/a><\/p>\n<p><strong>interviews<br \/>\n<\/strong><\/p>\n<p>\u201c\u00d3mnibus\u201d neoliberal: Procomunes contra Industrias Culturales, entrevista con Jorge Luis Marzo <a href=\"https:\/\/damne.net\/Test\/?p=289\">&gt;&gt;<\/a><br \/>\nNe vrtimo se v krogu, vrtimo se nazaj, intervju z Marino Gr\u017eini\u0107 <a href=\"https:\/\/damne.net\/Test\/?p=205\">&gt;&gt;<\/a><br \/>\nUrban revolution is coming, interview with David Harvey <a href=\"https:\/\/damne.net\/Test\/?p=146\">&gt;&gt;<\/a><br \/>\nJudith Butler y Beatriz Preciado en entrevista con la revista T\u00eatu <a href=\"https:\/\/damne.net\/Test\/?p=419\">&gt;&gt;<\/a><\/p>\n<p>kronotop.org \/ online archive of video-interviews <a href=\"https:\/\/damne.net\/Test\/?p=239\">&gt;&gt;<\/a><br \/>\nWithdraw! Why? Where to? <a href=\"https:\/\/damne.net\/Test\/?p=602\">&gt;&gt;<\/a><br \/>\nResearch Training Module: Interview <a href=\"https:\/\/damne.net\/Test\/?p=357\">&gt;&gt;<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>books Lezbi\u010dna sekcija LL: Kronologija 1987-2012 s predzgodovino, Nata\u0161a Velikonja, Tatjana Greif &gt;&gt; Feminismos negros. Una antolog\u00eda, Mercedes Jabardo (ed.) &gt;&gt; Black Queer Studies: A Critical Anthology, E. Patrick Johnson, Mae G. Henderson (eds) &gt;&gt; Decolonial Aesthetics &gt;&gt; Fabbriche del sapere, industrie della creativit\u00e0, Gerald Raunig &gt;&gt; Producci\u00f3n cultural y pr\u00e1cticas instituyentes, transform &gt;&gt; Los [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-746","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":8}},"_links":{"self":[{"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/pages\/746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/comments?post=746"}],"version-history":[{"count":0,"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/pages\/746\/revisions"}],"wp:attachment":[{"href":"https:\/\/damne.net\/Test\/wp-json\/wp\/v2\/media?parent=746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}